The Resurgence of Rhyme

 To Rhyme or Not to Rhyme?


There has been a raging argument for years as to whether rhyming poetry is archaic and no longer viable and has been replaced by free verse or free style poetry that does not rhyme. Some say yes, others say no.  

I have been part of a two year debate over whether rhyming poetry is dead or not. The comments seem to be divided almost 50/50. If rhyming poetry was dead, there would not be so many publications and media formats requesting it. Ironically, rap, a style of rhyming poetry set to music and a beat, garners more interest and revenue than all other performance forms of poetry, unless you include lyrics, and then you have a whole nother category of often rhyming poetry to consider.

Both sides trade barbs. The free-stylers say that rhyming poetry is childish or pansy, too light, too humorous, too sing-songy and somewhere out of la la land. The rhymers say that free style poetry is not really poetry, rather it is nothing more than chopped up prose, it is sloppy, it is undisciplined, it does not require as much skill.

Some say that free style poetry has actually worn itself out and rhyming poetry is on a great resurgence. I'm all for a resurgence of rhyme, but by no means am I for the death of free verse or free style poetry either.

Why is it that most people want to polarize on one end or the other of an issue? Why is it that issues have to be polarized and turned into opposing views? Why can't we simply accept the congruence and harmony in many issues and understand the pragmatic balance of them?

What I am saying here is that there is room enough for both rhyming forms and free verse to be vibrant, viable and powerful ways of writing poetry, each with its own significance, each with its own unique qualities and characteristics, each with its own particular application, and each with its own impact. One thing is clear, neither style works for anyone if it is not done well.  

Poetry must be well done, crafted exquisitely, presented in a manner that exudes total natural progression.  Poetry that is not natural will not appeal to most readers. It will come across as contrived, forced and artificial which will cause it to lose its credibility. 

So why can't we accept the congruence and harmony of multiple forms of poetry, each with its own significance and each with its own power? Why must free-stylers fight with rhymers and criticize each other rather than to relish the different skills it takes to write each? Many great poets wrote both rhyming and non-rhyming poetry and did each equally well.

That's where I stand--right between, amidst and among both and all forms and styles. I write both, does that make me bi-poetic? If you only see in polarizations, perhaps. I prefer to think I am ambi-poetic, and that all poets should be to a certain degree in order to master the art of writing powerful poetry.

Please share your thoughts and also post some poems. If you post a poem, I request that you also comment on two other poems posted in the forum. Simply give your feedback on two other poems, share your impressions, why you liked the poem or where it could be made tighter, more effectual.

Please tell your poetry friends about this blog and let's make this a great place to interact and talk about everything poetic.

Challenge:  Post both a rhyming and a non-rhyming poem in the forum.

© 2013 NavWorks Press and DE Navarro. All rights reserved.

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You can check out my author website DE Navarro.

And perhaps check out my newly released book, Dare to Soar.

Thank you, and have a fantastic day or night (whatever it is for you).

Idyllic Poetry

Idyllic Poetry

An idyll (idyl) is defined as poetry that either depicts a peaceful, idealized natural country scene (an idyllic scene) or any charming, simplistic pastoral event (idyllic life). It has also come to be applied to a poem telling a story about heroes of a bygone age or era (heroes of an idyllic era). The main point of the idyl is to paint a vivid image of a charming, serene, and beautiful setting or time, whether about the setting itself or a hero within the setting.

The Greek poet Theocritus wrote ten famous idyls. Since they largely dealt with rural scenes, the term idyl came to be applied to gently flowing, artistic pieces on rural or pastoral subjects. Lord Alfred Tennyson, in the nineteenth century, wrote idyllic poetry in his Idylls of the King, which were more akin to the original, looser sense of the term idyl in describing any ideal natural setting.

So there is a whole arm of idyllic poetry that has come to be known also as pastoral poetry. Yet idyllic poetry in all its fullness is not restricted only to pastoral scenes, but any idealistic natural settings or descriptions of characters and heroes with an emphasis on their setting or landscape.

Again, the main point of the idyl is to paint a vivid image of a charming, serene, and beautiful setting or time, whether the setting itself is emphasized or a character or hero is emphasized within the setting.

CHALLENGE: Write idyllic poetry of any style, emphasizing a charming, serene and beautiful setting or time, or a character (hero) within the idyllic setting or time.

Any style or length will do. The point of an idyl is in the content, not the chosen style or form. So, if you choose a Haiku, you would have an Idyllic Haiku. If you choose a sonnet, you would have an idyllic sonnet, and on. You can also do free verse or free form idyllic poetry.

Let's enjoy a time filled

with the celebration of beautiful,

charming, idyllic and pastoral

scenes and characters.

Write on.

NavWorks Press

presents

Between Life and Language:
Pride In Poetry Volume I

A gripping anthology featuring many of your favorite MySpace Poets as well as other online and conventional poets.

Chosen by NavWorks Press for their clarity, readability, impact and pleasure, the 107 selected poems by 76 different poets fall into such categories as culture, life experience, world experience, philosophy, spirituality, nature, youth, abstractions, love and relationships, writing and poetry, and more. We know you will enjoy the diversity of topics, forms, styles and voices in this appealing anthology.

For a list of poets featured in the volume, CLICK HERE

Click on the book cover below to find out more about this exciting volume and for ordering information.