To Rhyme or Not to Rhyme?
There has been a raging argument for years as to whether rhyming poetry is archaic and no longer viable and has been replaced by free verse or free style poetry that does not rhyme. Some say yes, others say no.
I have been part of a two year debate over whether rhyming poetry is dead or not. The comments seem to be divided almost 50/50. If rhyming poetry was dead, there would not be so many publications and media formats requesting it. Ironically, rap, a style of rhyming poetry set to music and a beat, garners more interest and revenue than all other performance forms of poetry, unless you include lyrics, and then you have a whole nother category of often rhyming poetry to consider.
Both sides trade barbs. The free-stylers say that rhyming poetry is childish or pansy, too light, too humorous, too sing-songy and somewhere out of la la land. The rhymers say that free style poetry is not really poetry, rather it is nothing more than chopped up prose, it is sloppy, it is undisciplined, it does not require as much skill.
Some say that free style poetry has actually worn itself out and rhyming poetry is on a great resurgence. I'm all for a resurgence of rhyme, but by no means am I for the death of free verse or free style poetry either.
Why is it that most people want to polarize on one end or the other of an issue? Why is it that issues have to be polarized and turned into opposing views? Why can't we simply accept the congruence and harmony in many issues and understand the pragmatic balance of them?
What I am saying here is that there is room enough for both rhyming forms and free verse to be vibrant, viable and powerful ways of writing poetry, each with its own significance, each with its own unique qualities and characteristics, each with its own particular application, and each with its own impact. One thing is clear, neither style works for anyone if it is not done well.
Poetry must be well done, crafted exquisitely, presented in a manner that exudes total natural progression. Poetry that is not natural will not appeal to most readers. It will come across as contrived, forced and artificial which will cause it to lose its credibility.
So why can't we accept the congruence and harmony of multiple forms of poetry, each with its own significance and each with its own power? Why must free-stylers fight with rhymers and criticize each other rather than to relish the different skills it takes to write each? Many great poets wrote both rhyming and non-rhyming poetry and did each equally well.
That's where I stand--right between, amidst and among both and all forms and styles. I write both, does that make me bi-poetic? If you only see in polarizations, perhaps. I prefer to think I am ambi-poetic, and that all poets should be to a certain degree in order to master the art of writing powerful poetry.
Please share your thoughts and also post some poems. If you post a poem, I request that you also comment on two other poems posted in the forum. Simply give your feedback on two other poems, share your impressions, why you liked the poem or where it could be made tighter, more effectual.
Please tell your poetry friends about this blog and let's make this a great place to interact and talk about everything poetic.
Challenge: Post both a rhyming and a non-rhyming poem in the forum.
© 2013 NavWorks Press and DE Navarro. All rights reserved.
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Thank you, and have a fantastic day or night (whatever it is for you).
Sonnet: The Humanitarian
ReplyDeleteSpeaking of literacy, what do you say?
Forests of print rich environments stand,
rooted in language and culture, conveying
the history of knowledge at our command.
Talk of initiative, what do you do?
Keep sense of knowing oneself from within,
and power to take on new challenges, too,
while maintaining confidence; never give in.
Vocalize leadership, what does it take?
Compassion for suffering, those who seek aid;
Love in our hearts for all matters at stake;
Wisdom to guide each decision that's made.
Tell of rewards for a life led this way.
Success breeds success and plants roots that will stay.
Shari Jo LeKane-Yentumi 12/09/2013
Free Verse: After Dark
As twilight ascends into tender turquoise,
I peer from my window to catch the first stars.
It sweetly reminds me of our first meeting
and when we kissed under the stars after dark.
You looked in my eyes and I saw the attraction.
The rush of your touch was electricity
as you brought my face closer, and our lips connected
so perfectly paired in our love after dark.
Now I adore you, so blessed to be near you.
You have all my heart and give me all your love.
I wonder if ever you seem to grow weary
until our lips meet when we greet after dark.
Shari Jo LeKane-Yentumi 12/09/2013
Thank you Shari for your two excellent contributions. Both poems spoke well to me and I enjoyed them.
DeleteI agree with you, David. There is room for both free verse and rhymed verse. So glad to see you building a forum here. I've missed your site on Myspace more than I can say!!
DeleteThis comment has been removed by the author.
ReplyDeleteThanks for providing the venue. I look forward to reading other contributions!
ReplyDeleteYou are welcome, I will be working on inviting folks I know. I had over 8000 poets following on Myspace at one time. It will take a lot of work to build this up.
DeleteMY WORST DAY
ReplyDeleteMy world began and ended with you in my arms
A true love forged in fire, only to be lost in flames
Sirens and lights as all sorts of loud alarms
Today is a bad day for rhymes,
He breathes for her making the heart beat.
Keeping her life strong will be a feat
Her breath ceasing as the the bell chimes
He went walking on a brisk Autumn day
ReplyDeleteAs the leaves blew skittering along the ground.
The cold breath of Winter is nearing,
Skeletons of the majestic tower above
While the people toil and labor
The snow will come.
Robert, the poem My Worst Day packs a real whollop. Its imagery is powerful Just one jarring thing for me though is the change from the 1st verse using I and the 2nd verse using he and she. Did you mean to do that for effect? Anyway, it is a startling poem and I like the middle line. It brings one up breathless.
ReplyDeleteI enjoy writing rhyming poetry but it's a lot more work on the technical side to make it flow. Non-rhyming poems seem to be able to be a "stream of thought" for me with a little refinement, let it set, read it aloud again, adjust and adjust, but still not strugglling with flow of the rhyme. I also enjoy writing other forms like a villanelle or a sestina or a haiku or ballad. I especially like to to ekphrasis poems. I see these similar to different forms of music, and the trick for the writer, in the case of poetry, or for the music in the case of the performer, is to make it sound easy, uncontrived, and flowing as if it was just natural. The listener might not even detect its form at first read or listen, it sounds so natural. Good exercises for us and works out of different sides of the brain initially, wouldn't you think?
ReplyDelete